A Hollis Frampton Odyssey (1966-1979) [The Criterion Collection #607]
2xDVD9 | VIDEO_TS | NTSC 4:3 | 264 mins | 8,05 Gb + 7,86 Gb
Audio: English AC3 1.0 @ 384 Kbps + Commentary track | Subs: None


New high-definition digital restorations of all twenty-four films, with uncompressed monaural audio on the sound films on the Blu-ray edition

EARLY FILMS
Manual of Arms (1966 ΓÇó 17 minutes, 10 seconds ΓÇó Black & White ΓÇó Silent)
Process Red (1966 ΓÇó 3 minutes, 37 seconds ΓÇó Color ΓÇó Silent)
MaxwellΓÇÖs Demon (1968 ΓÇó 3 minutes, 44 seconds ΓÇó Color ΓÇó Mono)
Surface Tension (1968 ΓÇó 9 minutes, 30 seconds ΓÇó Color ΓÇó Mono)
Carrots & Peas (1969 ΓÇó 5 minutes, 21 seconds ΓÇó Color ΓÇó Mono)
Lemon (1969 ΓÇó 7 minutes, 17 seconds ΓÇó Color ΓÇó Silent) 

Zorns Lemma (1970 ΓÇó 59 minutes, 51 seconds ΓÇó Color ΓÇó Mono)

FILMS FROM HAPAX LEGOMENA
(nostalgia) (1971 ΓÇó 36 minutes, 7 seconds ΓÇó Black & White ΓÇó Mono)
Poetic Justice (1972 ΓÇó 31 minutes, 28 seconds ΓÇó Black & White ΓÇó Silent)
Critical Mass (1971 ΓÇó 25 minutes, 11 seconds ΓÇó Black & White ΓÇó Mono)

FILMS FROM MAGELLAN
The Birth of Magellan
The Birth of Magellan: Cadenza I (1977ΓÇô1980 ΓÇó 5 minutes, 41 seconds ΓÇó Color ΓÇó Mono)
Straits of Magellan
Pans 0ΓÇô4 and 697ΓÇô700 (1969ΓÇô74 ΓÇó 1-minute each ΓÇó Color ΓÇó Silent)
INGENIVM NOBIS IPSA PVELLA FECIT, Part I (1975 ΓÇó 4 minutes, 48 seconds ΓÇó Color ΓÇó Silent)
Magellan: At the Gates of Death, Part I: The Red Gate 1, 0 (1976 ΓÇó 5 minutes, 10 seconds ΓÇó Color ΓÇó Silent)
Winter Solstice (1974 ΓÇó 32 minutes, 36 seconds ΓÇó Color ΓÇó Silent)
The Death of Magellan
Gloria! (1979 ΓÇó 9 minutes, 36 seconds ΓÇó Color ΓÇó Mono)
Audio commentary and remarks by filmmaker Hollis Frampton on selected works
Excerpted interview with Frampton from 1978
A Lecture, a performance piece by Frampton, recorded 
in 1968 with the voice of artist Michael Snow
Gallery of works from FramptonΓÇÖs xerographic series By Any Other Name
PLUS: A booklet featuring an introduction by film critic Ed Halter; essays and capsules on the films by Frampton scholars Bruce Jenkins, Ken Eisenstein, and Michael Zryd; and a piece by film preservationist Bill Brand